#FTG (F**k The Government) is the new music video by XL, produced by D-Low Beats.
Unsurprisingly enough, the video contains strong language.
#FTG (F**k The Government) is the new music video by XL, produced by D-Low Beats.
Unsurprisingly enough, the video contains strong language.
From The London Economic: Green Day’s American Idiot has moved into the top 20 in the UK charts ahead of Donald Trump’s visit to the country this week.
The President is set to arrive in London on Thursday and will be welcomed with hostile crowds and a Trump baby blimp in the skies.
But protesters look to have gone one step further by launching a concerted campaign to get American Idiot to the top of the music charts.
Through a combination of purchases and streams, the song has risen to No. 1 on the Amazon sales chart, cracked the iTunes Top 10, and sneaked into the Top 20 singles chart as well.
Coming Soon Our documentary film is close to completion. We need your help to spread the word about the film and more crowdfunding to deliver the best film possible. www.gofundme.com/thegreatnhsheistThank you#NHS70
Posted by The Great NHS Heist on Friday, June 29, 2018
“I’m Dr Bob Gill, a family doctor and NHS campaigner based in South East London.
“Over the last few years I have become aware of creeping privatisation in our National Health Service. There has been a concerted effort by consecutive governments to convert our NHS to a profit driven private health insurance system.
“In 2014 I co-produced a film, ‘Sell Off – The Abolition of your NHS’ which explained the dismantling of our health service. It has been shown at screenings around the country and been well received by audiences, judging by the feedback at over 50 such events I have attended in the last 18 months for Question and Answer sessions.
“I’ve had many requests to make another film. Our new project “THE GREAT NHS HEIST” will make clear what is going on and how the final betrayal will play out unless we act to stop the heist of our NHS.
“We will explore the measures being taken to drive us to an American-style health system and what is in store for us in a for-profit system.
“Our film can be made, with your support. We won’t have money for stock footage or fancy music but if we can raise enough to get to all our interviewees and cover our equipment costs then we will be able to tell this important story. All the people involved are putting in their time and expertise voluntarily.”
From BBC News: Creative arts subjects are being cut back in many secondary schools in England, a BBC survey suggests.
More than 1,200 schools responded – over 40% of secondary schools.
Of the schools that responded, nine in every 10 said they had cut back on lesson time, staff or facilities in at least one creative arts subject.
From Huck: Invisible Britain: Portraits is an upcoming ethnographic photography book featuring people from across the UK who’ve suffered at the hands of austerity politics, cuts to public services, unemployment and de-industrialisation.
The collection of images, edited by Paul Sng and co-curated by Chloe Juno and Laura Dicken, work together to evoke a powerful sense of resistance and stoicism in the face of adversity.
Accompanying each portrait is the story of the subject told in their own words – a detail which Sng saw as vital. “One of the things I wanted to make sure of was that each individual was able to speak for themselves,” he tells Huck. “Myself or the photographer would ask some questions about the state of the country but then also we’d look a bit deeper into their own situation. The main guiding point of it was to show that there is hope out there, and that people that are often very capable of organising on a grassroots level to deal with things that maybe politicians are unable or refuse to get involved in.”
Sng’s 2017 documentary Dispossession: The Great Housing Swindle covers similar ground as it speaks to residents across the UK about the worrying shortage of social housing. But Sng says the idea for Invisible Britain: Portraits came in the run-up to the 2015 general election. He was shooting a documentary following Nottingham band Sleaford Mods on a tour of the UK, visiting some of the most neglected and forgotten pockets of the country. In each location, they spoke to local communities and residents about how austerity had impacted their lives and how, if at all, they could resist these forces.
Webcam performance of “Poor Man’s Show”, a new song about #ToryBritain by Millie Manders.
I’ve been getting increasingly annoyed recently with the privatisation of our NHS, the mistreatment of the homeless and vulnerable and the cuts to police, schooling and everything else that we mere mortals need. Our government sucks.So here’s a new song.It’s called Poor Man’s Show. ❤️
Posted by Millie Manders and The Shutup on Sunday, January 14, 2018
From Boing Boing: The Getting to the Future First: How Britain can lead the Fourth Industrial Revolution report was created by Alan Mak, Conservative Member of Parliament for Havant, and it’s a laughable compendium of trickle-down nonsense proposing that if all dividends from automation flow to capital, somehow everyone in the world will share in the benefits.
It hilariously characterises the Corbyn left — an incubator for utopian visions of “fully automated luxury Communism” — as technophobic luddites. This from a party whose policies promote the primacy of finance over the real economy, austerity over education and training, and mass internet surveillance and censorship, while dismantling the world-leading Government Data Service.
But really, the scene-stealer is that cover art. Man, oh man.
Aleks Sierz writes in The Theatre Times: Laura Wade’s Posh opens a month before the General Election and is still being performed in its immediate aftermath. Its main characters are part of the Riot Club, which is based on the real-life exclusive all-male dining clubs of Oxbridge, such as the Bullingdon Club (former members include Cameron, Chancellor George Osborne, and London Mayor Boris Johnson). Posh features 10 young men, educated at public school and members of an elite undergraduate dining club, who believe that they have a right to rule. The rich and privileged—like Cameron and his government—represent a small and undemocratic elite class. Like a metaphor for the nation, this old class turns out to be inefficient, ineffective and cowardly. In its exploration of class and social advantage, Posh is a key cultural moment that accurately takes the temperature of the times. Behind its jokes and barbs, there’s a noticeable anger.
From penguin.co.uk: Writer and political activist Owen Jones shares his standout reads of 2017, from feminism and global politics to the role of Artificial Intelligence in the not-so-distant future.
If you enjoyed the GE17 anti-Tory song “Liar Liar” making #4 on the UK singles chart, Captain SKA will be launching a new single on December 15th, just in time for the Christmas chart. All proceeds to food banks and The People’s Assembly Against Austerity.
Anti-Theresa May song joins race for Christmas No.1. Here's the teaser for the new Captain SKA Christmas single! Available for download on December 15. Remember that BBC Radio 1 refused to play #LiarLiar due to "Election Rules"? Nothing to stop them this time..right?? We might even give Simon Cowell a run for his money!! You know what to do!! #ToriesOutForXmas
Posted by The People's Assembly Against Austerity on Tuesday, November 28, 2017
From The Stage: Local authority funding for national portfolio organisations has fallen by £14 million in the past year, according to new data from Arts Council England.
The 649 applicable organisations in ACE’s portfolio received £113.3 million in funding from local councils in 2016/17, down 11% from £127.5 million the previous year.
The school system is out of date, preparing children for a 19th Century world, not a 21st Century one. That’s the premise of this 5-minute video, watched over 6 million times on Facebook.
How would you like to see the next progressive government overhaul our schools?
From SWLondoner: Following the austerity measures implemented by the coalition government, funding for the arts was curtailed, and access to music education has become increasingly difficult.
The 2010 comprehensive spending review announced a 30% cut the Arts Council England budget. These cuts placed significant strain on our cultural organisations, including theatres, orchestras, music venues and art galleries.
Our most prestigious institutions, including the National Theatre, Southbank Centre, Royal opera House, and the Royal Shakespeare Company, are set to lose £2.5million of Arts Council funding per year between them.
Yet the impacts are more widespread; with cuts to local council budgets, less money is being spent on grassroots music education.
While 85% of parents state that music education is beneficial for their children, 70% say that the cost is prohibitive.
The National Children’s Orchestra of Great Britain stated that 70% of its members were privately educated, which underlines that access remains an ongoing challenge.
A Spotify playlist by vinylwally of “anti-Tory songs from the Thatcher era through to the 2017 general election. Mostly fairly unsubtle.”
From British Theatre Guide: Basically, this is a jazz musical about austerity and its effect on a North East city. It’s the brainchild of three North East academics.
The four specific characters—case studies almost—are the librarian (Rebecca Mann), her beloved library facing the threat of closure, the leader of the council (Donna Combe), battling against the inevitable cuts, Killian MacCardle (the refugee) facing increasing hostility from an angry populace and Rebekah Harvey as the police community services officer, also on the receiving end of the cutbacks. The only real interaction between the characters is love blossoming between the last two. Otherwise, as I say, they are case studies and viewed mainly separately.
We begin in 2012, when chancellor Osborne first introduced the austerity measures whose negative effects are as strong today as they were then. Partly naturalistic, partly stylised, the piece (without a set) uses masks, wigs, cardboard puppets, scribbled messages on paper, all fairly economical devices as if to emphasise what this is really about. At the start, audience members are invited to write their own protest slogans on blank sheets, though strangely nothing more is made of this.
The audience are also asked to clap hands and chant the kind of slogans used in protest marches.
From The Daily Edge: Calvin Harris and Florence Welch have both slammed the Conservative Party for using their music without permission during their conference in Manchester.
Calvin Harris found out that his track ‘This Is What You Came For’ was used at the event and he was not impressed. He took to Twitter to share his disapproval about such a happy song being ‘played at such a sad event’.
Indeed the Tory conference was sad, but let’s not pretend that’s not the soundtrack of some of the most incredibly grim student nights that have ever occurred.
Florence Welch also commented on the fact that Florence And The Machine’s hit ‘You Got The Love’ was used at the conference. She wrote that the party’s usage of the song was not approved by the band, nor would it have been if they had asked.
From LeftLion: For Peter Yeandle and Lytisha Tunbridge, two of the Nottingham coordinators of We Shall Overcome, it’s time to face the reality behind the numbers of foodbank users and do something practical to help.
Together, they’ve coordinated four days of poetry, drama and music gigs over the first weekend in October. Donations at all six events will go directly to services in the city that support people in need, from those who are street homeless to families who can’t afford to feed their kids.
The decision to hold the gigs in October was made by the national We Shall Overcome spearheaders. Peter explains why it’s significant: “As the weather changes, sleeping out on the streets gets a whole lot rougher. There’s also a greater demand on food banks in autumn.” He hopes people will donate enough to help prevent food banks running out of supplies, and to make sure people sleeping on the streets are still supported when the crisp air starts to bite.
The line-up they’ve put together is impressive. Echoing the political spirit at the heart of We Shall Overcome, it’s all tied together with social commentary.
From Liverpool Echo: An anti-austerity film in which Liverpool, its people and Labour leader Jeremy Corbyn play starring roles is to receive its Merseyside premiere this Friday.
The screening of Austerity Fight by Liverpool based Phil Maxwell and Hazuan Hashim at the Plaza Community Cinema in Waterloo – which is a sell-out – will be followed by a question and answer session and a speech by shadow chancellor John McDonnell.
Phil Maxwell says: “The film features many activists from Liverpool and the anti-austerity campaigns they are involved in. The campaigns to save Liverpool Women’s Hospital and keep guards on Merseyrail trains are covered, as well as a Boot Out Austerity march from Birmingham to Liverpool.
“Jeremy Corbyn talks about the NHS and we are delighted that the shadow chancellor John McDonnell, who is also in the film, is coming to his hometown to speak to the audience after the screening.
“It will be a great night for celebrating Liverpool’s fighting spirit. The film took 18 months to make and we had a budget of £4,700 which was raised mainly through crowd funding and support from unions. The Plaza is a great venue for the film as it collects food for a food bank and the Liverpool and Everton fans’ food bank is in the film.
From ZineWiki: Fuck The Tories was a science fiction fanzine by Valma Brown, Leigh Edmonds, Judith Hanna, Terry Hughes and Joseph Nicholas.
Fuck The Tories was first released in the 1980s. The editors described themselves as a “Tricontinental Revolutionary Fanzine Commission” (Hanna, for TAFF, 1985), with Valma Brown and Leigh Edmonds representing Australia; Judith Hanna and Joseph Nicholas representing the UK, and Terry Hughes, the U.S.A. Later on, Valma Brown, Leigh Edmonds and Terry Hughes left and, by 1990, Dave Langford, editor of Ansible, and Dave Mooring had joined up in their place. Fuck The Tories saw 21 issues released, and was published until 1996.
Fuck The Tories won the Nova Award for Best Fanzine in 1990.
From the Daily Telegraph: Theresa May has admitted she is “not very happy” about a song which labels her a “liar”.
Speaking to BBC Radio 1’s Newsbeat, she said: “Well, I’ve heard bits of it and to be perfectly honest I’m not very happy about it. I don’t much like it, I don’t think anybody would when they heard a song about themselves like that.”